Alongside your work on screen, you’ve also been captivating audiences on London’s West End stage. How does stepping into a theatrical role compare with inhabiting someone like Baela, and what does live performance give you that television simply can’t?

Yes! Working on Hadestown has been a real dream come true. Eurydice and Baela actually have quite a lot in common. They’re both incredibly stubborn and strong-willed, and they both try to take matters into their own hands. I think HOTD is actually as theatrical as you can find in the telly world. The thing I love most about working in theatre is how different the show can feel every night. We are four months into our run, and I’m still discovering things about Eurydice every night. I’m watching my castmates evolve night by night, and we’re living and breathing these characters so much that we can all collectively feel when someone has made a new discovery that’s led to a new choice, and that energy is totally infectious. I think that’s what’s hard to replicate when you’re working in television.