In Girls on the Bus, Natasha Behnam chases her lead. Loosely based on the best-selling ChasingHillary, the new HBO show follows politics on the road. Lola Rahaii, a Gen-Z journalist,leverages her social media following for positive change. Natasha and I talk about social mediaactivism, political potential, and her first experience on a TV series!
Congratulations on Girls on the Bus! How has the process been so far?
It’s been a dream come true! I couldn’t ask for a better experience on my first TV series.
How did you approach developing Lola as a character?
A lot of Lola’s traits came intuitively to me. When I read the script, I knew exactly who she wasand I understood where she was coming from. She was never a vapid influencer to me. I felt likeshe was a smart, driven girl who was desperate to make the world a better place and was doingso the only way she could fathom: through her social media reach. I approached developing herin the way I imagined she would approach anything in her own life: with skepticism, courage,and passion.
Lola’s youth and approach to journalism juxtaposes that of her colleagues. How do you think herage impacted the group’s dynamic?
I genuinely think Lola brought a fresh perspective to the group. She’s so underestimated byeveryone at first, but by the end of the season, she gained everyone’s respect. I was thankful thatthe writers didn’t write a stereotypical idea of Gen Z, and actually flushed Lola out to be a real person. She is so diligent in her work, so all of her seemingly radical beliefs are backed up byfacts. I really do think she changes the game.
Lola’s social media activism reflects how many young people interact with social issues intoday’s political landscape. How do you think young people can leverage this political capacity?
I think the greatest thing about social media is how it can connect us all. We’re able to mobilizeat a greater degree and make changes through community, just by connecting with each otheronline.
Journalism itself serves as the documentation of social climates. How do you think social mediaaids this process?
I think social media allows us to hear directly from people about their experiences, without amiddleman filtering anything. If we’re able to open our hearts to others, we can just believe people when they share about their circumstances. Of course, there’s still a veil with socialmedia, but at least we can hear stories from groups of people we may not have been exposed to before.
There’s a performative nature to both acting and politics. How do you think your background inacting, both in improv and on screen, informed your approach to the subject material?
I think the biggest similarity between acting & political journalism is how hard you have to workin both fields. Both careers are quite competitive and take full dedication. I was able to takesome of the drive I have for acting and infuse it into Lola, as her desire to be a political journalist.
Both acting and politics move at a quick pace. Did you ever find yourself overwhelmed by therate at which things were moving?
In the beginning, perhaps…But just like how any new venture in life takes getting used to.
How can you compare Lola’s experiences to that of the other women in the story?
Lola is coming from a completely different place than the other women. She has no professionalexperience in journalism, and simultaneously, more followers than any of them. The one thingshe has in common with them, which ultimately is one of the reasons they all become friends, isher relentless desire to tell the truth to the masses.
Girls on the Bus was loosely inspired by Chasing Hillary. Did any of the original story impactyour approach?
While Chasing Hillary focuses on a female politician, some of the politicians inGirls on the Bus are men. How do you think gender impacted the storyline here?We were lucky enough to have Amy Chozick’s expertise, and all of her insight was so helpful in building and understanding the world these women were in. Gender was a huge part of this entirestory. Every single aspect of the job is different for men and women. I think the show does agreat job of portraying those nuances and calling them out, while also calling out that gender is asocial construct. Both things exist at once!
Much of the show focuses on the camaraderie, but also competition, between this group ofwomen. How do you think the show navigated this dynamic?
I think people are capable of being nuanced and holding two truths at once; and if we aim towrite, create, and portray characters that are real humans, then that is the result. You getcharacters representative of what we see in the real world: complicated, interesting, and holdingmultiple truths at once.
While the political potential of Gen-Z is overwhelmingly clear, many young people still interactwith politics at arm’s reach. What’s your advice for young people who want to get involved but don’t know where to begin?
Find people online whose voice you agree with. Take time to listen to what they’re saying, and ifit resonates with you, follow their lead!