Peter Dager
stars in
Apple TV +
series
Stick
Season 2
Photography Beau Grealy
Fashion Editor Deborah Ferguson
Interview by Deborah Ferguson
Working with Peter Dager on our cover shoot gave us a glimpse of the rising star behind Santi Wheeler: a thoughtful, magnetic actor with a genuine passion for his craft. In Apple TV’s Stick, Peter brings fresh energy to a story where golf, ambition, humor, and found-family bonds come together—an exciting new chapter for young viewers, golf fans, and anyone who loves a compelling underdog story.
Shirt, Coat: Lardini, Plaid flannel suit: R13, Loafers: Thursday Boots
Shirt, Coat: Lardini, Plaid flannel suit: R13, Loafers: Thursday Boots
Your creative background extends well beyond acting, with interests in music, singing, guitar, and dance, including ballet training. How did these different disciplines become part of your life, and how have they influenced the way you approach storytelling and developing a character?
Each discipline, each art form, when it’s done well, gives me the same feeling. The only difference is, I feel an understanding of how to be a part of creating that feeling through music & film. But I can feel the feeling through almost any art form, when it’s done well, and it affects my life in some new way every time I feel that feeling. I don’t know if the other disciplines have influenced the way I may develop a character, that’s something I still feel I haven’t discovered, but I know I’m always trying to get to the heart of the matter, no matter if it’s through song, or film, or even as a viewer of a great dance show or a great opera.
Coat, suede shirt, jeans and coat: Calvin Klein Collection, Boots: Bared Footwear Men’s, Print Scarf: Lost Pattern NYC
Shirt, Coat: Lardini, Plaid flannel suit: R13, Loafers: Thursday Boots
You made the decision to move to New York at just 18 to pursue acting, which takes a certain amount of courage and conviction. What did those early years teach you about yourself, both personally and professionally? What does living in New York continue to give you creatively?
The 18 year old version of myself is who I’m always trying to chase funnily enough. He knew what he wanted and just went for it, every day. That version of me taught me that I could. If I applied myself, I could. That year taught me to believe in myself. I sacrificed a lot that year, experiences and what not, but I never cared and it never felt like it. I’m always trying to chase that feeling… real internal alignment, and in turn freedom. To me, currently, there is no better place to live for an actor than New York (unless you study/live in Europe), because there is constant humanity and unique points of view that are far removed from one’s own. New York is a city of perspective really, if you’re attuned to it.
Jacket: Lardini, T-shirt: Tommy Hilfiger, Jeans: Ksubi, Shoes: Thursday Boots
In Stick, Santi Wheeler is an exceptionally talented young golfer navigating ambition, complicated relationships, and the pressures of growing up. By the end of season one, his relationships with his father and with Pryce have taken some unexpected turns. Without revealing too much, how has Santi evolved in season two, and what might surprise audiences about the direction his character takes?
I don’t know if the direction Santi takes will necessarily surprise any of the viewers of the show. If you know the character, it kind of makes sense in a way. Santi has always known his potential, it’s why he comes across so strong at the beginning of Season 1 and why he held on too many of his demons throughout the season. It’s no different in Season 2, he knows his potential. It will just reveal itself in different ways/behavior this season. I don’t think he expects what happens after he makes the decision, or what he will come to lose for it, but I don’t know if the decision is necessarily surprising.
Jacket: Lardini, T-shirt: Tommy Hilfiger, Jeans: Ksubi, Shoes: Thursday Boots
Jacket: Lardini, T-shirt: Tommy Hilfiger, Jeans: Ksubi, Shoes: Thursday Boots
Golf plays such an authentic role in Stick, and you underwent considerable training to bring Santi’s abilities to life. What was that learning experience like, and how much of your own playing do we actually see on screen? Looking back at the different courses, filming locations, and professional golfers involved, was there a particular moment when you felt you’d genuinely stepped into Santi’s world?
That learning experience was another time in my life I really enjoyed. It was a feeling similar to the one I had that first year I lived in New York. Apple gave me the resources to prep as hard as I could, and I did. I loved it. We see quite a bit of my swing on screen, and even more so in season two. I’ve always made it a focus that I wanted my swings to be the ones on T.V and I’m happy it’s turned out that way. In terms of moments of reality, one day I went to practice with the LIU mens golf team. I followed them around with a notebook, watched them, picked up habits, asked many players many things, talked smack, and understood what it was like to play college golf. It felt pretty real that day. But to be honest, it felt real a lot of the time. I fell in love with the process.
Jacket: Ksubi, Shirt: Lardini, Pants: R13, Shoes: Thursday Boots
The relationship between Santi and Pryce is really the emotional heart of Stick. Working alongside Owen Wilson must have offered some remarkable opportunities, both creatively and personally. Was there a particular scene, conversation, or unexpected moment with Owen that stayed with you? What have you learned from working so closely with him?
To me, the memories that stand out with Owen are the small ones. Everyone’s always asking about possible advice he gave, or these big moments of revelation I had from watching him, but really it’s the small things. I shot a commercial with him a couple weeks ago, and we chatted about the MLB playoffs. I remember the time Owen showed me Mick Jagger performing god knows what song on YouTube, and after, debating who the best front man from a rock and roll band was for like 30 minutes. I think about movies he’s told me about, pieces of art, and when he gifted me a small book on Basquiat. The small things. In terms of what I’ve learned from him, there’s too many, but one would be: It’s never too late to try a new idea.
Coat, suede shirt, jeans and coat: Calvin Klein Collection, Boots: Bared Footwear Men’s, Print Scarf: Lost Pattern NYC
One of the most appealing qualities of Stick is how it balances humor with genuinely moving moments. Working with creator Jason Keller, the writers, and the wider creative team, how collaborative has the experience been? Have you had opportunities to contribute your own perspective to Santi, and has there been a particular creative decision or experience that changed how you approached the character?
This group of people is a privilege to be around daily. Jason Keller and Chris Moynihan are bouncing boards for ideas I have with Santi. They always listen. Some are good ideas I have, some are bad, but they always listen. And I see it with everyone in the cast. They are fully open to new ideas. And yet, they know what they write is pretty damn good, and needs very little work to make it come alive – in terms of ideas coming from me as an actor. I’ve always understood what we were doing, and who my character was, because the writing was so good from the start. Sometimes, I think a line is really wrong and I’m convinced I have a better one in my head. But when they don’t budge and tell me to try their line, I learn. It actually then becomes a line that really surprises me as an actor. They’ve taught me that maybe the line that I think isn’t great, is actually a key to a door of potential discovery as an actor.
With your background in music and dance, you seem to have a natural connection to several forms of performance. Is working on Broadway or Off-Broadway something you hope to explore? Are there particular plays, musicals, or types of theatrical roles that you would love to take on?
Si. Si. Si. Broadway is definitely something I want to explore, as well as plays on, or Off-Broadway. I chase good roles. Nothing specific per se, just something good, something revealing.
Coat, suede shirt, jeans and coat: Calvin Klein Collection, Boots: Bared Footwear Men’s, Print Scarf: Lost Pattern NYC
Coat, suede shirt, jeans and coat: Calvin Klein Collection, Boots: Bared Footwear Men’s, Print Scarf: Lost Pattern NYC
Having spent time with you during our cover shoot, what stood out was your genuine enthusiasm, thoughtfulness, and appreciation for the opportunities you’ve worked toward. As your career continues to evolve, what kinds of characters or stories would you most like to explore next? And beyond professional success, what does living a fulfilling, meaningful life look like to you?
I’ve kind of given up on projecting the ‘kind of characters’ I want to play. I just want the opportunity to play complex people. People that hopefully find themselves in extremely specific, tense, and complicated circumstances. I want characters who challenge me, and teach me something about myself. I want to become a more complete actor with time and with each passing character I play. I think I might get bored approaching this profession from any other angle. Lastly, to me, so far, I’m learning that balance is key. My mother used to tell me, and still does, that I should never go too far one way, it makes it harder to come back. ‘Balance is key.’
Jacket: Ksubi, Shirt: Lardini, Pants: R13, Shoes: Thursday Boots
Jacket: Ksubi, Shirt: Lardini, Pants: R13, Shoes: Thursday Boots
Photography
Creative Director & Fashion Editor
Deborah Ferguson @ Forward Artists
Grooming
Web Layout
On-set Fashion Assistant
Arin Thompson
Thank you